There’s a substantial twist in “The Uninvited,” a pretty fair and reasonably scary remake of South Korean director Kim Jee-Woon’s thriller “A Tale of Two Sisters.” The twist was there in the stylish original, which I watched after the English-language re-do. If one of my film critic colleagues hadn’t guessed the twist out loud, and correctly, I might very well have been taken in by it. But you know? I’ll never know.

The Guard Brothers directed “The Uninvited.” They are Thomas and Charles, and they are British, and while much of their work here stays in strict stylistic line with the 2003 original, they supply jolts efficiently. Any idiot can frighten an audience with a “boo!” moment—the heroine turning suddenly, only to be startled by some innocent character, for example. Almost any idiot can direct a sequence involving the slow approach to a creepy, concealing object, out of which something will spring, or ooze or fly. But the quality of the surprise after the suspense, that’s what separates the hacks from the talent. The Guard Brothers cut fast and rarely steer clear of cliche, but they have a knack.After 10 months in a psychiatric clinic, Anna (Emily Browning) returns to her coastal Maine home to her sister, Alex (Arielle Kebbel), and an uneasy new parental unit. The girls’ father (David Strathairn) is engaged to the very same caregiver (Elizabeth Banks) who oversaw the girls’ invalid mother in her last days, before a mysterious and fatal fire. Anna attempted suicide after the tragedy. Now, back home, she’s plagued by ghosts or visions or some such, one of which appears to be her late mother, crying out for revenge. It’s like “Hamlet,” with teenage girls.

The script ties the original scenario in a couple of ill-advised knots, and by the final third “The Uninvited” has turned into a film existing mainly for its long-delayed twist. The actors are strong, however, and Banks in particular shows some skill and wiles in keeping her rascally stepmother stereotype lively.

What do I remember about “The Uninvited” a day after seeing the remake? I remember jumping at the specter under the kitchen stove. I remember also the alarming number of times we see a character approach a plastic garbage bag, with dread and wonder. These aren’t Glad bags. These are “Aaaaahhhhggggghhhh!” bags.

Source: Chicago Tribune